Family resurrection
This is a quiet film that gets us in the grips with reality of what it is to have a family, be a family and take care of the family. A brother (Phillip Seymour Hoffman) and his sister (Laura Linney) are forced to reunite upon their learning that Dad's long time girlfriend of 20 years has passed away, he is being kicked out of her house in Arizona by her children due to pre-nuptual agreement that states he is not allowed to stay in the house once his girlfriend (their mother) is dead. What is not helping is that Dad is diagnosed with the early stage of dementia and needs around the clock care. As we watch father and daughter taking trip from Arizona to New York and siblings struggling to agree with their new responsibilites about their long absent parent who never really took proper care of them while they were kids, one cannot be but touched by the fact that these two do have a decency to take care of their helpless father in spite of emotional harm he has done to them as they were growing up. These siblings are damaged goods. They are in their late thirties, early forties, single with mediocre careers barely able to take care of themselves. When they want to feel good, they simply take the pill. But as this story continues, we see brother and sister bond and take care of each other. The death of their estranged parent is a license for both of them to re-examine their lives and start again. The film has many comedic moments in spite of the ulimate sadness of the story. Screen-writting is witty and one must say that Linney and Hoffman are perfect on their roles.

Savages
Movie was depressing at parts but shows you what different families go through especially when caring for the elderly.

Undeveloped, but funny
"The Savages" works as a comedy, but not as a drama. It's the story of two siblings, played by Phillip Seymour-Hoffman and Laura Linney, who deal with the sickness of the father they didn't get along with as children. It's a funny ride as three difficult personalities deal with each other and a difficult experience. Hoffman has great moments, even if his performance is a bit one-dimensional and fake--he plays the intellectual, lazy slob he plays in every movie. Linney is also very good technically, but her character is very annoying and unlikeable. The drama moves along well, it's easy to follow (if a bit odd and disturbing at point) and has enough surprise along the way. There's no magic, though, in the script or the acting, no emotional depth, even though I feel like everyone involved wants there to be. The problem is the filmmakers focused on making this a workable comedy--which it is--and didn't focus on making it a workable drama--which it is, almost. The whole thing came across as unfinished, the stabs at true emotion insincere. And maybe that's the point. But it wasn't a great moviegoing experience, only good. It wasn't exactly a waste of my time, it's just not something I need to repeat.

Aren't We All 'Savages'?
Writer/director Tamara Jenkins' "The Savages" is one of those rare coming-of-age films that avoids cliches and comes across wholly genuine. Jenkins understands that coming-of-age is not only for the young, bringing out in her characters what the average filmmaker would easily miss. Her directing skill is also profoundly exquisite - she does not merely capture her Oscar-nominated screenplay on celluloid but makes it transcend the screen. No High Definition necessary.

Jon and Wendy Savage, portrayed by the aptly-celebrated Philip Seymour Hoffman and Laura Linney, are a brother and sister whose vast emotional distance is mirrored by their respective residences in Buffalo, N.Y. and Manhattan. This comfortable disparity is severed, however, when their equally distant father Leonard, played by Philip Bosco, succumbs to dementia brought on by Parkinson's disease soon after his long-time girlfriend passes away. Floating in and out of consciousness, he is no longer able to fend for himself, forcing his children to undertake the difficult task of transporting him from sunny Arizona to frigid Buffalo where they can more optimally watch over him in a private nursing home.

The premise is hardly light, but Jenkins finds humor in the seemingly mundane. Jon is a philosophy professor consistently teaching new ways to open the mind yet could not be more closed-off to any viewpoints other than his own. Wendy divides her time between writing her "subversive, semi-autobiographical" stage play and romping with her neighbor in spite of his being married mostly because she is fond of his dog. Meanwhile, facing the fact that they must care for their father - a father who never truly took care of them - becomes more cumbersome for the duo than they care to admit.

In her third Oscar-nominated performance Linney is fantastic as usual, fully capturing the difficult transition that Wendy has to make not only where her father is concerned but in how she must rescue herself from artistic and personal stagnation. Hoffman also impresses as the more cynical of the duo, wrapped up in collegiate pretense and personal demons. Bosco may have the most work cut out for him, however. Perfectly bringing to light the capricious consciousness that accompanies dementia, he clinches Jenkins' poignant script.

The icicles of New York State reach out and grab the listener as fully as the palm fronds and summer breezes of Arizona with Jenkins behind the lens. A screenwriter with her astute directing skill is a rare commodity, especially in today's fickle industry. The subject matter may run the risk of becoming dour or cloying, but she never allows it to fall into those traps. Interjecting her grave, gripping premise with subtle, wry humor, she makes "The Savages" a true pleasure.

Two great actors in an American classic
I love these two actors, anyway, and this movie would be much duller without them. The subject matter is one which is pretty real to a lot of adults now: dealing with a fragile elder parent, and all the emotions that brings up. There's humor in it, and pathos. I loved it.